I've given up trying to guess how long Kibuishi's Amulet series will run: it was originally a two-book deal with Scholastic, and several of my other posts about this series -- see one, two, three, four, five, and six,
respectively -- had some vague supposition about where we are in the
overall plot. It just barely could be eight books, I suppose -- a series
can always end in one more book, if it has to -- but it could be ten or
twelve or twenty just as easily. There is an overall story here, but
elements also feel like Kibuishi is adding new complications as he goes,
so he could keep this going as long as the audience and he are still
excited about it.
Which brings us to Firelight,
at the end of which a Chekhov Gun from the very first volume is finally
pulled down and fired at the reader. (No, I won't tell you which one.
What kind of a reviewer do you think I am?) Firelight continues
Kibuishi's transmutation of epic fantasy tropes into a middle-grade
graphic novel: the party has been split for several books now, and we
also have revealing flashbacks, startling revelations about the nature
of magic in this world, difficult moral choices, and
enemies-turned-allies. Plus, of course, journeys by the separate pieces
of the split party across interesting new landscapes to find surprising
and magnificent unexpected places. (Kibuishi's map hasn't changed since
the beginning, I think, but there have been a number of places visited
that aren't on the map -- and, in this book, one that couldn't be on that map.)
A
review of an epic fantasy like this can either be for the fans, and
revel in the names of the characters and minutiae of their adventures
and new powers and hair-flipping moments, or stay general, on the
assumption that most of the world has not read any particular
book. By this point, you might have guessed that I usually come down in
the second camp, and I'm doing it again here. I'm not going to tell you
who all of the people are and what they're doing: it would be a sea of
fantasy-book names, and look silly as all such things do.
I will
say that this is a solid series; Kibuishi is a fine comics-maker, on
all levels -- his pages are well-constructed, each book is a real volume
rather than a collection of pages, and the overall series (despite my
quibbles about its ever-extending length) moves cleanly and confidently
across its landscape and delights in showing us each new thing. Your
tween could find much worse things to be obsessed with -- and there's a
lot to enjoy for those of us who aren't tweens anymore, too. (Those of
us who have read epic fantasy for fortyish years will find a lot of it
familiar, but what is a genre but familiarity?)
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