He's Rolando; she's Nera. Unusually for a story like this, there's no romance or hint of it - no reason not to, it just doesn't happen. They connect in other ways, the way any two people do.
This is Edgar Camacho's graphic novel Onion Skin. Other stuff happens, too - and he doesn't tell the story in order to begin with - but I'll get to that. There's only one copyright date in the book, 2021, so maybe it was translated quickly (by Camacho himself) for US publication after it originally appeared in Mexico? Or maybe the date of US publication just isn't listed, and it made its way north in '22 or this year.
Rolando worked as a graphic designer in advertising; he hated it. He hated it so much he injured himself - not quite deliberately, but maybe unconsciously - in order to lose the job and free himself. He wants to do something else - probably related to art - but he's a bit vague.
Nera lives in a broken-down food truck. She's self-sufficient and self-assured, but wants to be cooking food for people and has no idea how to get there.
None of that is where we start in Onion Skin. We start with the food truck Dawg Burger - they don't seem to serve burgers, but never mind that - on the run from three bikers, on a lonely road somewhere in Mexico. There are two people in the truck: we don't know yet they are Rolando and Nera. They get away.
And then we flash back, and we realize this story will be told in at least two timeframes: something like "now" and something like "then." We meet Rolando; we meet Nera. Eventually, they meet each other. And we keep flashing forward to the two of them in that truck, some time later - traveling around, making great food, gathering a big following, attracting the attention of those bikers, getting into danger and out of it.
Camacho is serious about his characters and their concerns, but not overly serious. The big conflict with those bikers is just a couple of clicks down from cartoony: they are clearly dangerous, but not homicidal, and we're pretty clear Rolando and Nera will make it out OK in the end. And telling the story inside-out as he does lets him breathe new life into a kind of story we've all seen many times before: he can bounce between the high points and interesting moments and never get bogged down in getting from Point A to Point B.
He also brings a stylized art style, design-y and modern, to add more energy. He's particularly fond of quirky sound effects, another source of fun here. On top of all that, the focus on food is making me want to eat chilaquiles!
Onion Skin is a fun, energetic, visually interesting book by a strong new creator, telling its story with verve and excitement. It already won a couple of awards in Mexico, including the first National Young Graphic Novel Award, which I hope will be enough encouragement for Camacho to keep going and make more books like this.
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