In case you came in late: this is the fourth book in a six-book series (all originally published in the Aughts, and reissued a few years later in the current editions with colors by Nathan Fairbairn), all about a Toronto slacker (the Scott Pilgrim of the title) in a comics world with manga-inspired art and Street Fighter-inspired conflict-resolution methods. In the first book, he met cute, mysterious American deliverator Ramona Flowers, and fell for her. They're now dating, but she warned him, up front, that to keep dating her, he will have to fight and defeat her seven evil exes.
This is the premise of the series, so we don't want to question it. It also seems to be fairly reasonable to Scott and his friends - of course, you're going to have a few choreographed boss fights at the beginning of a new relationship; that's just understood.
So Scott defeated Matthew Patel in Precious Little Life, Lucas Lee in Vs. the World, and Todd Ingram in The Infinite Sadness. There has been some minor relationship turmoil along the way: Scott makes diffidence and distractedness into a lifestyle, and Ramona likes playing the Secretive Secret Woman With Many Secrets a bit too much.
And that brings us to Scott Pilgrim Gets It Together, in which, yes, actually, he does.
Scott uses the "l-word" - no, not "lesbian," but I'll get to that. This leads to the aforementioned level-up, which he needs to fight Evil Ex #4, since this particular level-up - O'Malley wisely doesn't tell us what level Scott is, or his stats, just the changes - comes with The Power of Love, which is, as it must be, a sword with a handle that looks like either a heart or Scott's balls, depending.
Scott, even before that, gets an actual daytime job - and fights to keep it when his fighting-exes life spills into that workplace.
Scott's band is recording a record, after drummer Kim Pine moves to a new house with new roommates, including a guy with a home studio. This may not seem like "getting it together" as much, but it's clear Scott has at least vaguely formed ideas of where the band should go and a somewhat-surprising work ethic ("why aren't we practicing?" "why aren't we playing shows?") at least when it comes to the band. And that is mildly surprising; Scott previously had been defined mostly by not caring about things or noticing the world about him.
And, most importantly, this is the Lesbian Book. There's a minor background make-out session I won't spoil - I don't remember if it leads into anything in the last two books, so I might need to come back to it - and, more centrally, we learn that Ramona had a thing with her college roommate, Roxanne Richter. Which means that the "half-ninja" Roxie, and her sword, are Evil Ex #4, and Scott will need to fight a girl before the book can end.
(There's another person with a sword chasing Scott around earlier in the book, for a different reason. Scott may be conflict-avoidant and a world-class slacker, but he also generates drama around him almost without trying to.)
Also in the Getting It Together mix: Lisa Miller, a high school friend of Scott's who had a crush on him (then and now) is in town, hanging out with Scott and flirting so much he almost notices. This makes Ramona jealous. Meanwhile, Roxy is staying with Ramona on her own visit to Toronto, which makes Scott jealous. Scott and his roommate Wallace Wells are getting kicked out of their horrible basement apartment, and Wallace semi-secretly wants to move in with his new boyfriend but doesn't want to "dump" Scott.
That all comes together in Scott's l-word announcement at the climax of Gets It Together, after which Scott can battle Roxie and, of course, defeat her.
So he and Ramona have a slightly stronger relationship, and are mostly happy - although she does mention that her next ex is actually twins.
(I may as well throw this in here, since it's been rolling around my head: I kinda want O'Malley to do a middle-aged follow-up, with a different cast. I really want to see what a new relationship, and evil-ex-fighting, looks like for a fifty-ish person with, say, two failed marriages, four or five other major relationships, a few short-term fuck buddies, and who knows how many random hookups in their past. I think it would either be a forty-volume epic or a ten-page comedy piece.)
As before, O'Malley has a masterful control of tone and material here - he's pulling together quirky, disparate elements but has a clear overall vision of how his world works and how his people interact, which is always compelling and true. This whole series is one of the best comics of the new century, and is holding up well as it hits its twentieth anniversary.
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