Witch King by Martha Wells

It's weird to say this, but I think this is the first time I've read a Martha Wells fantasy novel when I wasn't being paid by the Doubleday Book & Music Clubs (or successor organizations) to do so. I was the first reader there for her debut novel The Element of Fire, and I think I acquired all of her '90s novels for the club (Element, City of Bones, Wheel of the Infinite and The Death of the Necromancer - all excellent, by the way, and well-worth digging back into; I'd recommend Necromancer if you only have time for one). But my plans to do an omnibus of the "Fall of Ile-Rien" trilogy floundered, and then I got laid off...and I haven't been reading at the same pace for the past twenty years.

(Was there also some burnout after several subsequent years of applying to SFnal editorial jobs and not getting anywhere? Could be.)

More happily, Wells has been in the middle of a fabulously successful and award-winning SF series for the past decade - the Murderbot books; you may have heard of them - which I have been reading.

So Witch King was her first fantasy novel in six years when it came out in 2023, and I'm only slightly late in getting to it. (It's the first of what is either a trilogy or duology - the second book, Queen Demon, came out last fall, but I'm not sure if that's the end.) 

It's a complex novel set in a big, complicated world: there's a useful map in the front matter that covers what I think is the entire "Rising World," but does not include a continent further to the south from which the world-conquerors in the backstory emerged. There are at least four types of magic, with some similarities but big differences. It's a world mostly of humans - mortals, Wells's characters tend to call them - but several of those magic-using groups are immortal or very long-lived or can change bodies or some other permutation.

So the opening sets the tone: our third-person viewpoint character, Kaiisteron, Prince of the Fourth House of the underearth, wakes up. He's dead, his former body in a tomb on a small island, just emerging from being submerged in water. Some enemy is going to try to turn him into a familiar, to control his power and possibly destroy his memory. That will not go well for the enemy.

I won't explain all the details of the magic systems - such as the Immortal Blessed, with their sometimes technology-powered devices and their not-always clear hierarchy of Immortal Marshalls and Lesser Blessed; the Hierarchs, those invaders from the south whose expositors derive power from death and burn cities to get power to burn more cities - but I do need to get into demons and witches. (Those are in the titles, after all.)

Demons come from a parallel world - most people think it's under the ground; that doesn't seem to be exactly true - and are a different, serpentine, sapient race. There was some kind of war, centuries ago, between the demons and the humans of the nomadic Saredi people. A peace was brokered in which one Saredi woman, called Grandmother these days, went to the demon world, presumably to marry some demon leader: she has an extensive multi-generational set of offspring now. Since then, demons are a valued part of Saredi society, their souls moving into the bodies of Saredi who died young and unexpectedly (presumably mostly from sickness, not physical trauma). Demons can move their souls from body to body at least that much, bouncing back and forth from the underearth to the mortal world.

Witches are the offspring of demons and mortals - they have somewhat different magical powers than demons do, but the two groups are generally allied to each other. They do not have any direct connection to the underearth mentioned in this novel. Witches seem to have spread across several regions of this world, and are not limited to Saredi lands. Demons, though, do seem to be entirely limited to the Saredi, so it's a bit of a open question where all the witches came from and how they spread so much relatively quickly.

Kai is a demon. He was one of the leaders of the successful resistance to the Hierarchs, after they had conquered most of this northern continent, sixty or eighty years ago. Those leaders formed first an alliance of forces to fight back, then a more durable political coalition (the Rising World of the series title) that formed a continent-wide political structure called an Empire but relying on periodic approval from the individual nations. Kai is the demon who discovered that demons can jump from one mortal body to another, killing the host and taking over. And he developed what seems to be an idiosyncratic, individual magic system based on the Hierarchs' but fueled by his own pain rather than that of others.

Witch King has two plotlines: close to two-thirds of the book is set "now," starting with Kai's awakening in that tomb, defeating the expositor who tried to enslave him, and freeing his long-time friend and ally Ziede Daiyahah, who was also captured in that tomb. The other plotline is set in "The Past," with a few short chapters of Kai's life with the Saredi and then the story of the beginning of that resistance, in a Hierarch regional capital. In large part, the past plotline explains the relationships among the main characters - Kai; Ziede; Ziede's wife Tahren Stargard; Bashasa, who I think became the first Emperor; and a few others.

The past plotline is simpler and starker, once it gets to that Hierarch city: Bashasa leads a group of plotters in what he expects will be a doomed attempt to kill a few Hierarchs and, at best, inspire others to similarly fight back and spark a successful rebellion. The early stages go more successfully than expected, largely because of Kai, and the plotters unexpectedly survive and flee to build that larger rebellion themselves.

(We know the rebellion succeeded from the beginning of the book, or else none of these people would be alive in the "now" timeline.)

In the present day, first Kai and Ziede need to survive and get out of the tomb, then figure out what has happened. A political conference to "renew" the Empire is underway, and they are pretty sure they were shoved out of the way to interfere with that - but in which direction, and exactly what the plotters intend to do next, is unclear. Also, they quickly learn that Tahren is also missing, and finding her becomes their main aim.

This is the first of a series, so the wider issue is not resolved at the end. But the core this-book problem in both timelines - surviving the initial revolt and getting away in the past, finding Tahren in the present - are resolved, to give a satisfying ending. And the joys, as usual with Wells, is the deep characterization and insight into behavior, coupled with magnificent action sequences and a compelling narrative voice - this book is less snarky than the Murderbot books, but Wells is always crisp, focused, and precise in her writing.