(I've previously looked at Larson's Mercury here and her Chiggers for ComicMix; those are both books she did after Gray Horses, but they're more conventionally genre works in form and scope.)
Gray Horses is the story of Noemie, a young woman from Dijon, France attending school -- I assume this is a semester abroad, though the back cover copy calls her an "exchange student" -- in the American metropolis of Onion City. (You know the one -- the large city in northern Illinois, fronting on Lake Michigan, the city of the big shoulders.) Noemie makes friends with a fellow student, Anna, who lives and works in a bakery across the street. She has a minor flirtation with a shy young man, a fellow student who photographs her but doesn't want to talk. She remembers her ex-boyfriend, Luc, back home.
And she has continuing, long dreams about a girl named Marcy and the talking horse who takes her up into the mountains -- to hide something precious to her -- and then back down to her home. Marcy looks nothing like Noemie, but her story is the counterpoint to Noemie's -- another girl with a memory to put away, with a past to both return to and transcend.
Gray Horses is a quiet, literary graphic novel; there aren't many actions, and none of them are large or grandiose. Larson tells her story in soft, rounded panels -- they don't quite melt into each other, but they're not the usual hard-edged windowpanes of most comics. Instead, her panels enfold and reveal what's within them, snuggling up to each other in a cozy parade of quotidian life and clean dreamscapes. This isn't a story with a moral, or even any major epiphany -- just some things that happened to one young woman, one season, far from home, and what went on in her head at that same time. It's lovely and evocative, and -- if I'd paid just a bit more attention -- I bet it would have taught me a bit of French as well.
Book-A-Day 2010: The Epic Index
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