Ware has been working on two long stories for most of the past decade -- "Rusty Brown," the story of a stereotypical middle-aged comics fan, which has been precisely what one would expect from a story of that description from Ware -- and "Building Stories," an equally depressing but slightly less typical tale, so far about a crippled young woman with no friends or lovers, a dead-end job and self-esteem issues. He tends to present new sections of whatever stories he's working on currently in annual book-sized issues of "The ACME Novelty Library" -- one of the few vestiges of the once-burgeoning serialized alt-comics scene of the '80s and '90 -- before collecting them, in their final form, as full graphic novels. (And so I've reviewed the issues from the past three years -- 17, 18, and 19 -- here and elsewhere.)
This year's entry is Number 20
But "Lint" doesn't need to be part of any larger story: it already tells one very Warean life from beginning to end. A boy is born, has an unhappy youth (potty training, dead mother, remarried father, trouble in school, kills best friend in car crash as teen, failed career as a musician), returns home to take over the (unnamed) family business and toil through what bits of happiness he can find (first wife and two sons, sobriety, an affair that ends the marriage and the sobriety, eventually a second marriage with a stepdaughter and another son), and then loses everything before finally dying alone and hallucinating.
What's more, most of that story is outlined on the inside front cover, where a family tree explains exactly when Lint's mother dies, his sons are born, and so forth -- Ware gives us the roadmap, and then takes us on a trip, pointing out the sights already marked on our itinerary. And, for connoisseurs of Warean stories, "Lint" has a slightly different flavor: Jordan does find happiness, at various points in his life, but can't hold onto it. (Because of both his own bad choices and the inevitability of death.) Still, a major Ware story with moments of happiness is a huge leap forward -- his previous works were unrelieved bleakness from beginning to end, whose heroes were emotionally stunted man-children who could never have a functional marriage (or any strong interpersonal relationship). He's still fond of that Midwestern staple, the overbearing father and his subservient son, but "Lint" sees that dynamic move into a more realistic mode.
So we learn in this volume that Ware characters can feel happiness -- that had previously been only a theory, unsupported by any evidence. Who knows? Perhaps in another ten or dozen years, there might even be a Ware story with an ambiguous ending -- one that's only potentially bleak? We can only speculate, and wait.
Book-A-Day 2010: The Epic Index
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