There are a lot of books by late-Boomer or Gen X writers about
middle-aged guys in distress -- centered on men who just lost long-term
stable jobs, often having lost wives to death or divorce or just barely
holding on to a marriage, in deep financial trouble, with kids of
whatever age that he either loves to death or no longer understands,
living in the iconic big house in the suburbs -- and particularly over
the past decade and a half, since the dot-com crash first showed that
cohort that the endless economic rise of the '90s was not going to be the pattern of the rest of our lives.
I've
read several of those, despite disliking the idea -- I've had my own
career crises twice in the past decade ('07 and '15), and I've never
been the kind to find Schadenfreude in reading about fictional men with my same problems but more so.
But they keep coming out, and keep getting laudatory reviews by jobbing
journalists who know their industry has shed 200,000 jobs since 1990,
so I may be atypical in that.
That brings us to Jess Walter's The Financial Lives of the Poets, which I thought
was about a guy who launched a website providing financial news and
advice in verse form -- I even thought some of the book would itself be
in verse. I was wrong; that website has crashed and died well before
page one of this novel, and our first-person hero (Matthew Prior) is
deep in the shit, deep in denial, and deep into his lies to his
inevitably lovely and super-capable wife Lisa. [1]
Matt
has no job, despite all of his nervous-bunny energy and searches, and he's been hiding the family's true financial picture
from Lisa -- and, of course, everything is about to collapse. Even
worse, he's essentially stopped sleeping out of stress, which does not
help him make good decisions. So, when a late-night 7-11 run for milk
for the kids tosses him in with some young local
druggies, he finds himself going along with them just out of pure
inertia. And that leads to a Brilliant Plan to recapitalize his family:
he'll cash out their last tiny bit of savings for seed capital, use that
to buy drugs, and sell to all of his affluent friends!
This
is the first of several Brilliant Plans that Matt has over the course
of the novel, none of which are particularly brilliant, and none of
which, sadly, come to fruition. (I'd have been up for either a
black-comedy pothead Breaking Bad or a loopy
jumping-from-one-scheme-to-the-next-just-fast-enough-to-keep-going caper
book, but Walter wasn't.) Walter is writing an essentially literary novel, and literary
novels are all about consequences and sadness and bad things happening
to characters that we like.
So Matt's hubris is clobbered by nemesis, as it must be. Along the way, Financial Lives of the Poets is a pleasant read, but it didn't really sing to me. Several of the quotes on the cover call it a farce, but I wouldn't agree: Matt
is farcical, as are his plans, but the events around him don't go along
with his notions, but remain stubbornly real the whole time.
What
this is, to my mind, is a serio-comic literary novel with the muffled
downer ending that subgenre requires. And I suspect a lot of the
rapturous praise was because it came out so quickly on the heels of the
'08 crash, and held up a mirror to the way many people were thinking
about their lives right then. Being of the moment can be a big advantage
-- but only so long as that moment lasts.
[1]
My theory is that many of these books are transmuted autobiography, so
the author who wants to continue to stay married needs to make the
fictional wife utterly blameless and as close to perfect as his writing
ability allows.
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