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Kelso works to a small page-size, with two or three tiers of smallish panels. Each story begins on a right-hand page, and there generally are four blank pages -- two to end the previous story, two to begin the new one -- in between each of the stories. So, even though Squirrel Mother is about a hundred and fifty pages long, it feels like only about half of the page-space actually has any comics on it; these stories are framed very carefully with tinted backgrounds and each set out like a sandwich on a plate.
The stories themselves are mostly elliptical, telling small vignettes from a life or from history but clearly meant to resonate far beyond that. They're not related to each other in any real way; this is just a collection of independent works. And Kelso is quite talented, but, from these stories, it looks likes she's been working entirely as a miniaturist. It might be nice to see her spread out some more.
(And I figured out why Kelso's style looked familiar -- I read her strip Watergate Sue in the New York Times Magazine last year.)
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