Hello and welcome back to another week. I'm yet another blogger who lists the books that arrived during the previous week -- I think I was one of the first, but that doesn't actually mean anything. What matters is if you find something interesting to read, so I hope to write quickly about these books in a way that's either accurate or entertaining or (preferably) both.
I am, as always, hampered by the fact that I haven't read any of these books, and possibly also by the fact that it's a bright sunny Sunday morning as I type this, and I could be doing more pleasant things in places more pleasant than this blogger's basement. But here we go, with this week's crop: four manga volumes from two different publishers.
I'll start out with one big book from Yen Press: Etorouji Shiono's
Ubel Blatt, Vol. 2
, continuing an epic fantasy story in a vaguely medieval-German world (hence the title). I reviewed
the first volume -- confusingly numbered zero -- last year, so see that link for more details of the storyline and world. This series could be of particular interest to Michael Moorcock fansa, since Shiono also has a weak, elfin hero with a creepy black weapon and a secret of doom and despair.
The rest of the books this week are all from Vertical, and all are also continuing volumes in series -- which is pretty typical for manga, which tell long stories in anything from three to infinite books.
Tetsuya Tsutsui is here with
Prophecy, Part 3
, which actually concludes this relatively short story of cybercrime and social-media bullying.
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And then there's
Ajin: Demi-Human, Vol. 4 
by Gamon Sakurai, about a sub-group of humans who cannot be killed and who are thus declared not human because of it. As is typical for manga, the central story focused on a typical teenage boy -- Japan is the world leader in tight audience identification characters -- and his new life once he discovers he's one of these "demi-humans."
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Last for me this week is Ryu Mizunagi's
Witchcraft Works, Vol. 4
. This one is a magical school story, though the main character is pretty much exactly like the one I described a paragraph ago: manga delights in heroes who are essentially interchangeable.
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