The Hellboy empire has mostly run to sidebars for the last decade or so -- from the ongoing B.P.R.D. and Abe Sapien
comics to the various comics about the big red guy not drawn by creator
Mike Mignola. Oh, sure, Mignola and his collaborators did manage to
finally make it to the long-promised magical apocalypse and more-or-less kill off Hellboy himself, but even Hellboy's post-life adventures recently petered out and most of the apocalypse has been seen in the B.P.R.D. series, mostly written by John Arcudi.
I've
said before that, for me, the best pieces of the Hellboy saga are the
short stories drawn by Mignola himself, usually based on a particular
legend or bit of folklore, in which Hellboy meets an unearthly thing and
deals with it. (Usually by punching it back to hell, admittedly, but
not always.) Second best, I guess, would be similar stories drawn by
other people.
Hellboy in Mexico is a continuity
insert made up of a cluster of those stories, set during a drunken,
doom-filled ramble through Mexico during Hellboy's early days, during the last few months of
1956. The stories here have been in the main Hellboy collections (Hellboy in Mexico, drawn by Richard Corben) or appeared as their own individual books (House of the Living Dead,
also with Corben on art) or scattered elsewhere. But this book does
pull them all together, in order, to tell the story of Hellboy's
five-month-long "lost weekend" and how he befriended some wrestlers,
fought vampires (and a werewolf, and a Frankenstein monster, and more), and punched out the god Camazotz.
All of
these stories are scripted by Mignola, and (besides Corben, who does the
two longest stories in the book) they include art by Mignola himself, Mick
McMahon, Fabio Moon, and Gabriel Ba. This is very much a sidebar,
obviously. But, since Hellboy is dead in the modern day, and the world
he used to live in has comprehensively fallen apart and bears no
relation at all to our own, sidebars are just fine.
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