Writers are only rarely likeable. They bring nothing to the party, leave their game at the typewriter. They fear their contribution to the general welfare to be evanescent, even doubtful, and, since the business of publishing is an only marginally profitable enterprise that increasingly attracts people who sense this marginality all too keenly, people who feel defensive or demeaned because they are not at the tables where the high rollers play (not managing mergers, not running motion picture studios, not even principal players in whatever larger concern holds the paper on the publishing house), it has becomes natural enough for a publisher or an editor to seize on the writer's fear, reinforce it, turn the writer into a necessary but finally unimportant accessory to the "real" world of publishing.
- Joan Didion, "After Henry," in We Tell Ourselves Stories in Order to Live, pp.560-61
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