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I seem to be alone in this among those who've reviewed this book, but I didn't like it much. Bradbury has a very wordy style which is hard to translate into comics -- or, rather, often translates into comics as lots and lots of captions with straight Bradbury prose. I found the result was generally too wordy to flow well as a comics story, which meant these felt like abridged Bradbury tales with very extensive illustrations.
Some of the stories work better than others; I liked Dave Gibbons's take on "Come Into My Cellar" and Daniel Torres's "Night Meeting," mostly because those stories weren't overwhelmed by the narration. And the art is fine, and varied, in all of the stories. But I'm afraid I really didn't see the point in all this in the first place -- prose short stories and comics scripts aren't the same thing, so there's no reason to believe one would be generally useful as the other.
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