A few of her essays -- I'm calling them "essays" here, because that's a big, baggy word, and I think it covers Brosh's mash-ups of deliberately crude pseudo-comics images and narrative prose, but she might prefer to call them "blog posts" -- have jumped out, whole or nearly so: Adventures in Depression, for example, I remember seeing linked to a lot soon after she made it. She's honest about herself -- unrelentingly so, as a great artist must be -- and is good at mining her own odd life for farce and pathos. (She grew up in small towns in California and Idaho, and wanted to become a scientist before ADHD and clinical depression turned her into a recluse. But she tells that story much better than my sketch would indicate.)
So: here's an artist, doing something very well, in public, and getting a good audience doing it. A book inevitably follows, and so many of Brosh's best piece have been collected as Hyperbole and a Half
But Brosh isn't Neal Adams; you go to her for insights and stories from her life, not for precisely wrought pen-lines. (I'm sure there are people who can't stand Brosh's drawings of herself -- for all the world like a large fish upright in a shapeless pink dress, with spindly limbs and a yellow triangle stuck into her head -- and those people are missing the point. But I expect they do that a lot.)
This book collects a bunch of great stories from a great storyteller, in a format that lets you benefit her directly. I have to think that, if you've ever posted a "clean all the things" meme, you're pretty much required to buy it. You don't have to read it -- no one can force you to read -- but that's what you should do. Brosh might not be normal, but who is? And she at least has names to put on her non-normalness, defined coping mechanisms to keep herself going forward, and a great viewpoint to turn her experiences into art.
Book-A-Day 2014 Introduction and Index
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