It's a cliche that creators resent their fans who like best the
"early funny ones," but I have to be that guy for just a second. Rick
Geary has had a wonderful career: he has a quirky but devastatingly
precise line and has made several dozen excellent graphic novels about historical murders over the last couple of decades. (Plus a number of other things.)
But
he started out even quirkier, and I might like that ultra-quirky Geary
even better than the meticulous, methodical, organized chronicler of
mayhem. For about the first decade of Geary's career -- say, the period
covered by Rick Geary Early Stories: 1977-1988 -- a Geary comics
page was as likely to be a collection of lovingly-detailed kitchen
appliances as anything else. Or a carefully-drawn collection of
vignettes from oddly-named motels from around the country. Or a series
of unexplained and possibly supernatural events, narrated dryly and
matter-of-factly, as if it was just another day.
Geary
nailed a deadpan affect from the beginning, and that, plus his
almost-immediately strong drawing abilities made these slices of bizarre
life unique in the cartoon world of the late '70s. You might not have
entirely understood an early Geary story, but it was compelling and memorable and unlike anyone else.
Those stories were collected other places over the years, most notably the Geary collections Housebound and At Home with Rick Geary. Both of those are long out of print, so it's wonderful to see Early Stories
gather eighty pages of prime high Geary weirdness into one place.
You're not going to find this book easily, though -- it may turn up
in a comic shop or independent bookstore or two, but the only
dependable way to find it is to buy it directly from the author.
And
I do recommend that you do that, if you have any inclination towards
odd, off-the-wall stories told matter-of-factly in comics form. Early
Geary practically invented that style, and remains its undisputed
master.
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