Tuesday, September 08, 2009

James Bond Daily: The Plight of the Aging Spy

007 muses about life, on pp.018-019 of You Only Live Twice:
The state of your health, the state of the weather, the wonders of nature -- these are things that rarely occupy the average man's mind until he reaches the middle thirties. It is only on the threshold of middle-age that you don't take them all for granted, just part of an unremarkable background to more urgent, more interesting things.

Until this year, James Bond had been more or less oblivious to all of them. Apart from occasional hangovers, and the mending of physical damage that was merely, for him, the extension of a child falling down and cutting his knee, he had taken good health for granted. The weather? Just a question of whether or not he had to carry a raincoat or put the hood up on his Bentley Convertible. As for birds, bees, and flowers, the wonders of nature, it only mattered whether or not they bit or stung, whether they smelled good or bad. But today, on the last day of August, just eight months, as he reminded himself that morning, since Tracy had died, he sat in Queen Mary's Rose Garden in Regent's Park, and his mind was totally occupied with just these things.

First his health. He felt like hell and knew that he also looked it. For months, without telling anyone, he had tramped Harley Street, Wigmore Street and Wimpole Street looking for any kind of doctor who could make him feel better. He had appealed to specialists, GPs, quacks -- even to a hypnotist. He had told them, 'I feel like hell. I sleep badly. I eat practically nothing. I drink too much and my work has gone to blazes. I'm shot to pieces. Make me better.' And each man had taken his blood pressure, a sample of his urine, listened to his heart and chest, asked him questions he had answered truthfully, and had told him that there was nothing basically wrong with him. Then he had paid five guineas and gone off to John Bell and Croyden to have the new lot of prescriptions -- for tranquillizers, sleeping pills, energizers -- made up. And now he had just come from breaking off relations with the last resort -- the hypnotist, whose basic message had been that he must go out an regain his manhood by having a woman. As if he hadn't tried that! The ones who had asked him to take them to Paris. The ones who had inquired indifferently, 'Feeling better now, dearie?' The hypnotist hadn't been a bad chap. Rather a bore about how he could take away warts and how he was persecuted by the BMA, but Bond had finally had enough of sitting in a chair and listening to the quietly droning voice while, as instructed, he relaxed and gazed at a naked electric light bulb. And now he had thrown up the fifty-guinea course after only half the treatment and had come to sit in this secluded garden before going back to his office ten minutes away across the park.
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Listening to: Bess Rogers - Only One
via FoxyTunes

Monday, September 07, 2009

Lazy and/or Busy Weekend

My immediate excuse for not having the usual Monday-morning "Reviewing the Mail" post up on time is that Blogger was acting up last night as I was writing it -- it was refusing to save, so I just stopped working on it.

Of course, I could easily have written it all up in Word and had it ready for when Blogger was working again...but who wants to do that on a holiday weekend? So it'll be delayed until some time later today.

The weekend has been an interesting mix of frenzy and lethargy -- the family had a lot of things to do yesterday (it was Pompton Day in my hometown, which generated about three activities, plus the end of summer bowling and other things), but I've been very lazy otherwise. I've been sitting in front of this computer a lot, but I'm not even checking my blogs -- just playing online games or otherwise slaughtering time blithely. It would b e wonderful...if I weren't the type of person who feels guilty when I'm not getting things accomplished.

Maybe now, in the latter half of the last day of the three-day weekend, I'll find some energy and get things done. Or perhaps not.

James Bond Daily: The Inscrutable Orient

007 negotiates with Tiger Tanaka, head of the Japanese Secret Service, and remembers what his handler, the casually obnoxious Australian Richard Lovelace "Dikko" Henderson, has told him about Tanaka in particular and the perfidious Easterner in general, from p.008 of You Only Live Twice:
This kind of joking about their different cultures had become a habit between himself and Tiger, who, with a first in PPE at Trinity before the war, prided himself in the demokorasu of his outlook and the liberality and breadth of his understanding of the West. But Bond, having spoken, caught the sudden glitter in the dark eyes, and he thought of Dikko Henderson's cautionary, 'Now listen, you stupid limey bastard. You're doing all right. But don't press your luck. T.T.'s a civilized kind of a chap -- as Japs go, that is. But don't overdo it. Take a look at that mug. There's Manchu there, and Tartar. And don't forget the so-and-so was a Black Belt at judo before he ever went up to your bloody Oxford. And don't forget he was spying for Japan when he called himself assistant naval attache in their London Embassy before the war and you stupid bastards thought he was okay because he's got a degree at Oxford. And don't forget his war record. Don't forget he ended up as personal aide to Admiral Ohnishi and was training as a kami-kaze when the Americans made loud noises over Nagasaki and Hiroshima and the Rising Sun suddenly took a backward somersault in to the sea. And, if you forget all that, just ask yourself why it's T.T. rather than any other of the ninety million Japanese who happens to hold down the job as head of the Koan-Chosa-Kyoku. Okay, James? Got the photo?'
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Listening to: Camphor - Confidences Shattered
via FoxyTunes

Reviewing the Mail: Week of 9/5

It's been another week with mail service, and so I saw some books arrive. Since I review books, I get books to review -- but I get more books than I could possibly read and review. That drove me to start this series of posts: every Monday morning, I list what came in the week before, and give some thoughts about those books...but here's the catch...without having read them.

This week, I also stopped in at a comics shop and bought three books; I'll throw them in here and there, and I hope I remember to mention which ones they were. (You might be able to tell, anyway.)

Pride of place this time goes to Paul McAuley's new novel The Quiet War. (It was originally published in the UK last year, but the US trade paperback, from Pyr, will hit on September 15th.) I know that this is related to the series of stories that McAuley has been writing for most of the last decade about a war between the inner and outer system. (And I'm sure many of us can think of the obvious precursors to that idea.) Looking at his bibliography, I'm startled to find that I haven't read a McAuley novel this decade, as far as I can remember -- he's been most doing near-future thrillers and similar books that I haven't been as excited by. But this is a return to the old McAuley, so I'd better find time for it.

Julie Kenner, author of the Buffy-esque "Demon-Hunting Soccer Mom" series, has another urban fantasy series running, and Torn is the second book in that series. (This one is the "Blood Lily Chronicles," which gives me a sense that it will be sexier, with more of a hothouse feeling, than the Soccer Mom books. But I'm purely guessing from the cover art and title.) I'd been intending to read the Soccer Mom books for a possible omnibus back at the Old Job (before other events intervened), but I haven't managed to read anything by Kenner, now that I come to think of it. Torn is a mass-market paperback from Ace in November; the first book in the series, Tainted, is available right now.

First of the things I paid for is Bryan Lee O'Malley's Scott Pilgrim Gets It Together, the fourth in the series about a young Toronto slacker, his band, his new girlfriend, and her seven evil ex-boyfriends that he has to defeat ('90s videogame style) to keep going out with her. With this book, I'm now only two years behind on the series, so I just might be able to catch up before Vol. 6 comes out.

Del Rey has published several fumetti-style graphic novels based on Cartoon Network properties -- I know I've seen at least one Ben 10 book with that dialogue-over-TV-stills look -- and they just sent me another one of them: The Secret Saturdays, Vol. 1: The Kur Stone. It's -- obviously -- from the TV show of the same name, about a cryptid-hunting family of adventurers. And this slim paperback hit stores on August 25th.

Confessions of a Demon is the first book in a new urban fantasy series about a "kick-butt demon bartender," and is the first book credited to S.L. Wright. However, the copyright is in the name Susan Wright, so I have a suspicion that this may be the same person who wrote Slave Trade and To Serve and Submit. (Or maybe not; "Susan Wright" isn't a terribly uncommon name, and I know from personal experience that there are a lot of folks out there with generic WASPy names like, say, "Andrew Wheeler.") In any case, if you like the work of the earlier Susan Wright, you might want to take a look at Confessions of a Demon, in case it is the same person. Confessions will be a mass-market from Roc in December, and I'd wager a large sum of money that more books will follow it.

Ice Land is a historical novel, set in 1000 AD (in, yes, Iceland), but it sounds like it's a fantasy historical -- the main character's name is Freya, and that must be deliberate -- so perhaps readers of Guy Gavriel Kay and similar writers might be interested in it as well. It's by Betsy Tobin, who was American-born, but who moved to England as an adult and whose publishing career has been so far mostly British-based. It's being published by Plume in trade paperback this month, with one of those classy covers that hints at genre elements but doesn't shove them to the front.

Danica Novgorodoff's second full-length graphic novel -- after last year's Slow Storm, which I reviewed for ComicMix -- is Refresh, Refresh, adapted from a screenplay of the same name by James Ponsoldt which itself was an adaptation of short story (also of the same name) by Benjamin Percy. It's set in a small community in rural Oregon, where most of the fathers have gone off as Marine reservists to the Iraq war, and many of the sons are fighting in a makeshift backyard boxing ring. It sounds awfully sure of its own literary-ness, which is not always a positive, but I'll reserve judgement until I read it.. (Slow Storm was a bit too MFA-ish itself, though it had a lot of good stuff in it.) Refresh, Refresh will be published in trade paperback in October by First Second.

R.A. Salvatore's The Dame is the third in his fantasy series "Saga of the First King," after The Highwayman and The Ancient. And, as we all know, there is nothing like a dame. So it has to be good. Salvatore is quite popular when it comes to sword-slinging fantasy -- though, if I remember, his biggest audience is for the sharecropped Forgotten Realms books, proving that book-readers can be shallow followers of characters just like their funny-book compatriots. The Dame was published in hardcover by Tor on August 18th.

Another one of the books I spent money on is the twelfth collection of the Fables comic -- by, as usual, writer Bill Willingham, artist Mark Buckingham, and a couple of others whom I will omit here out of space considerations -- titled The Dark Ages. It was published by DC (of course), and obviously it's already available, since I bought it out in the real world.

Marvel Comics sent me their two "Ender" related graphic novels -- Ender's Game: Battle School and Ender's Shadow: Battle School -- which have "Orson Scott Card" very large on the covers but seem to be written by, respectively, Christopher Yost and Mike Carey. Both were published in these hardcover editions -- collecting the original five-issue miniseries -- in August. And I hope to do a paired review of them very soon.

And last for this week is the third book I got for myself, and easily the best cover of the week: R. Sikoryak's Masterpiece Comics, collecting his various collisions between high art (Dostoevsky, Bronte, Hawthorne, etc.) and low (comics!). I've seen "Dostoevsky Comics" -- Crime and Punishment in the style of a '50s Batman comic -- before, but not the rest of this book, like the Macbeth-meets-Mary Worth "Mac Worth," or Garfield crossed with Doctor Faustus or the book of Genesis as enacted by the cast of Blondie. From a quick perusal, Sikoryak can ape all of those different styles effortlessly -- this looks like a lot of fun for radical middlebrows like myself. It was published by Drawn & Quarterly, and it's available right now.


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Listening to: Future of the Left - The Hope That House Built
via FoxyTunes

Sunday, September 06, 2009

James Bond Daily: 007 Will Gamble on Anything

Remember when Bond called blackjack a children's game? Well, he doesn't necessarily mean that in a derogatory fashion, as you can guess from this even more childish game, played on p.006 of You Only Live Twice with the head of Japan's Secret Service, Tiger Tanaka:
It was the old game of Scissors cut Paper, Paper wraps Stone, Stone blunts Scissors, that is played by children all over the world. The fist is the Stone, two outstretched fingers are the Scissors, and a flat hand is the Paper. The closed fist is hammered twice in the air simultaneously by the two opponents and, at the third downward stroke, the chosen emblem is revealed. The game consists of guessing which emblem the opponent will chose, and of you yourself choosing one that will defeat him. Best of three goes or more. It is a game of bluff.
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Listening to: The Mendoza Line - Tougher Than the Rest
via FoxyTunes

Saturday, September 05, 2009

Manga Friday Moseys Onto the Scene Yet Again

My oft-neglected Manga Friday column for ComicMix returned yesterday -- after a long break for summer, and to clear out the cobwebs, since I thought I was saying too much of the same thing about the same kind of books -- with reviews of three books about special teenagers: X-Men: Misfits, Cat Paradise, and Ninja Girls.

I hope to return next week -- which is another way of saying "I have a stack of three books with a theme that I plan to read next week" -- and we'll see how it goes from there.

James Bond Daily: More About Bond's Fast Cars Fetishism

Bond catches the first glimpse of the woman who will become his wife, on pp.012 of On Her Majesty's Secret Service:
It was then, on a ten-mile straight cut through a forest, that it happened. Triple wind-horns screamed their banshee discord in his ear, and a low, white two-seater, a Lancia Flaminia Zagato Spyder with its hood down, tore past him, cut in cheekily across his bonnet and pulled away, the sexy boom of its twin exhausts echoing back from the border of trees, And it was a girl driving, a girl with a shocking pink scarf tied round her hair, leaving a brief pink tail that the wind blew horizontal behind her.

If there was one thing that set James Bond really moving in life, with the exception of gun-play, it was being passed at speed by a pretty girl; and it was his experience that girls who drove competitively like that were always pretty -- and exciting.
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Listening to: Jenny Lewis & The Watson Twins - You Are What You Love
via FoxyTunes

Friday, September 04, 2009

Get Real by Donald E. Westlake

Is there any writer whose last book is his best? Or even among his best? I suppose I have to specifically exclude one-book writers, like Margaret Mitchell or Harper Lee -- and the kind of writer who retires early, like Baudelaire. But have there been solid working writers whose last novel was indisputably major? I don't think so.

Get Real is, unfortunately, Westlake's last novel, since he died very unexpectedly on New Year's Eve, seven months before this book was published. And it's not his best book -- but we all expected that.

It's the latest and last in the series about the hapless New York burglar John Dortumunder and his crew; the thirteenth in all. And, to be honest, the last two or three books in this series weren't quite up to Westlake's peak, either -- they were funny, and they moved well, and they had lots of good business for the various characters, but Westlake wasn't bringing anything new to the series.

Get Real is along those same lines -- a solid, dependably entertaining comic crime caper from one of the most professional writers in the business, with a lot of funny moments, but nothing at all surprising. The caper's a bit thinner in this one than even the last few books -- Dortmunder and his associates get involved with a reality TV producer, and decide to do a secret heist under cover of doing a different heist for his TV cameras -- and the twists and setbacks have a perfunctory feel. There's also a very cliff-like ending -- it's in about the place the ending should have been, but Get Real doesn't end as well as it should.

Get Real makes a fine swan song for those of us who have been reading Dortmunder for a while, but it's not a good introduction to the series, just as you wouldn't start Wodehouse with Sunset at Blandings. If you want a great funny novel about criminals, drop back and read Drowned Hopes or Bank Shot. Get Real is bittersweet, since it's the last new Westlake novel, but there is plenty of sweet in there with the bitter.

James Bond Daily: Honor Among Thieves

From an internal SPECTRE briefing session, on p. 227 of Thunderball:
During the planning stages, months before in Paris, Blofeld had warned Largo that if trouble was caused by any members of his team it was to be expected from the two Russians, the ex-members of SMERSH, No 10 and No 11. 'Conspiracy,' Blofeld had said, 'is their lifeblood. Hand in hand with conspiracy walks suspicion. These two men will always be wondering if they are not the object of some subsidiary plot -- to give them the most dangerous work, to make them fall-guys for the police, to kill them and steal their share of the profits. They will be inclined to inform against their colleagues and always to have reservations about the plans they are agreed upon. For them, the obvious plan, the right way to do a thing, will have been chosen for some ulterior reason which is being kept hidden from them. They will need constant reassurance that nothing is being kept hidden from them, but, once they have accepted their orders, they will carry them out meticulously and without regard for their person safety. Such men, apart from their special talents, are worth having. But you will please remember what I have said, and should there be trouble, should they try and sow mistrust within the team, you must act quickly and with utter ruthlessness. The maggots of mistrust and disloyalty must not be allowed to get a hold in your team., They are the enemies within that can destroy even the most meticulous planning.'
Immediately afterward, coming out of from this flashback, one of the Russians does try to sow mistrust, and Largo goes act with utter ruthlessness.
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Listening to: R.E.M. - Body Count (live)
via FoxyTunes

Quotes of the Week

"I can't understand why a person will take a year or two to write a novel when he can easily buy one for a few dollars."
- Fred Allen

"When I want to read a novel I write one."
- Benjamin Disraeli

Thursday, September 03, 2009

James Bond Daily: Octopussy and The Living Daylights

And then we came to the end.

Octopussy and the Living Daylights was originally published a good two years after Fleming's death, and then collected the two novelette-length stories in the title. Since then, it's accumulated two other, shorter stories, the last stray pieces of the Bond corpus. The resulting book, even in its four-story expanded incarnation, is barely half the length of even the shortest novels of the series; it's very much an afterthought. So Penguin's recent book Quantum of Solace, which collects these stories along with the ones in For Your Eyes Only to make a Complete Shorter James Bond, is probably a better bet for the casual reader.

And those four stories are:

"Octopussy," originally serialized in the March and April 1966 issues of Playboy -- It's from the point of view of a gone-to-seed British colonial (in Jamaica, of course) whose sordid wartime past comes back to confront him in the person of 007. Along with The Spy Who Loved Me, it's one of Fleming's very few stories that show Bond from another point of view. And the "Octopussy" here is an actual octopus, much like the Pus-feller of Doctor No.

"The Property of a Lady," from a 1963 Sotheby's annual (and reprinted a year later in Playboy, which would take any Bond it could get) -- Bond uses a known Soviet mole's payoff -- a fabulously valuable Faberge globe -- to find and target for diplomatic expulsion the KGB's local Resident Director at a Sotheby's auction. It's probably the most bloodless Bond story, and one whose plot doesn't entirely make sense -- if the KGB doesn't have a good sense of the value of this object, how could they possibly be able to bid it up at the auction without risking being the winning bidder?

"The Living Daylights," from a 1962 color section of The London Sunday Times and reprinted in the US in Argosy (which I'm always surprised to find survived as late as 1962) -- Bond acts as a sniper in Berlin to stop a KGB sniper and allow a British agent to get across the border. This is the only Fleming Bond story to take place in Berlin, the heart of the Cold War, and it's one of the great contradictions of the series that such a Cold Warrior spent most of his time so far away from the serious battlefields. Also notable for being another example of how the literary Bond does not find it easy to kill, particularly when he has an extra reason to leave a target alive.

"007 in New York," a vignette added to the first US edition of Fleming's Thrilling Cities (as a consolation prize to soften the nasty things he said about real NYC) after first appearing in the New York Herald Tribune -- Bond muses about the splendors of New York and about his mission to tip off an ex-colleague that her boyfriend is a Soviet agent upon whom the American net will very shortly fall. Not really a story at all; the action happens entirely offstage, and there's little of that. If it were funny, it would be a shaggy dog story -- what's the equivalent for a thriller?

And that ends the Bond stories. I still have a pile of interesting quotes, which will keep "James Bond Daily" running for another ten days or so. (Unless someone has a copy of Colonel Sun lying about that they'd be willing to lend me?)

Wednesday, September 02, 2009

James Bond Daily: A Drink Fit for a Man

Bond drinks a lot of different things, but he's often fond of something much like this drink, from p.157 of Doctor No:
'And I would like a medium Vodka dry Martini -- with a slice of lemon peel. Shaken and not stirred, please. I would prefer Russian or Polish vodka.'
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Listening to: Josh Ritter - Man Burning
via FoxyTunes

Tuesday, September 01, 2009

A Recently Read Meme

I picked it up here, because of a Tweet from Knopf:

Using only books you have read this year (2009), cleverly answer these questions. Try not to repeat a book title.

Describe Yourself: I Killed Adolph Hitler

How do you feel: Shambling Towards Hiroshima

Describe where you currently live: Who Needs Donuts?

If you could go anywhere, where would you go: An Ideal World

Your favorite form of transport: Step by Step

Your best friend is: Every Person on the Planet

You and your friends are: An Exact Replica of a Figment of My Imagination

What’s the weather like: Wetlands

Favourite time of day: Nocturnal Conspiracies

If your life was a: Disappearance Diary

What is life to you: Live and Let Die

Your fear: A Mess of Everything

What is the best advice you have to give: This Is Not a Game

Thought for the Day: Sixty Million Frenchmen Can't Be Wrong

How I would like to die: Only in Books

My soul’s present condition: One! Hundred! Demons!
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Listening to: Okkervil River - Lost Coastlines
via FoxyTunes

James Bond Daily: The Man With The Golden Gun

This is the last Bond novel by Fleming; he didn't consider it finished when he died in 1964, and the question of just who made it publishable (and how much work went into that effort) has been hotly debated since then by the kind of people who care about such things. It's one of the thinnest of the Bond novels -- about the same length as Casino Royale, the first novel, and only slightly longer than the overgrown novelette The Spy Who Loved Me.

Golden Gun is somewhat programmatic as well, running quickly through its plot without the customary asides and thoughts that Fleming incorporated into the earlier novels -- leading me to assume that writing those was part of Fleming's revision process, that the first draft was to get the plot down and correct, and afterwards was to bring the book up to the necessary polish. (I may be wrong; I clearly haven't made a serious study of the subject.)

It begins a year after You Only Live Twice; Bond has been missing and presumed dead since then. But a man claiming to be Bond -- and knowing more than most of those who have claimed to be Bond -- has contacted the Secret Service and asked to be put through to see M. This man -- who is Bond, of course -- does get in to see M, but it turns out that he came home via the Soviet Union, and had been brainwashed into an assassination plot.

But this is still the early '60s, so brains can always be washed and re-washed. Bond is captured, sent off for the rest cure, and -- more quickly here than I assume Fleming would have wanted it to be in the final draft -- propped back up in his suit and license to kill, and sent off on a mission. If he succeeds, then he's back in grace. If not...well, he'll have died in harness, which is what everyone expected.

The job is to kill Paco "Pistols" Scaramanga, a killer for hire working for the Castro government in Cuba (still fairly young, and assumed to be shaky, at this point), who is also the point man for a consortium of organized crime cartels investing in a Jamaican casino. (Once again, Fleming's own connections to Jamaica drag Bond there, out of all of the places in the world -- for a superspy in the height of the Cold War, he spent an awful lot of time in the topical heat, and most of it before the Cuban revolution at that.)

The plot is pure Fleming, and there are many of his usual touches along the way -- in the final confrontation between Bond and Scaramanga, on a train and off it, and in the return of Bond's CIA friend Felix Leiter -- but Golden Gun feels as unfinished as the shell of a hotel that hosts the gathering of mobsters at the center of its plot.

Read in August

This was the month of Bond; I started Casino Royale (and my run straight through all of the Fleming Bond books) on July 20th, but only got through the first three books before the end of July. All of the rest of them came in August, taking up most of my reading time this month.
  • Ian Fleming, Diamonds Are Forever (8/3)
  • Ian Fleming, From Russia With Love (8/6)
  • Jules Feiffer, Explainers: The Complete Village Voice Strips (1956-1966) (8/11)
    Here's an uncomfortable fact for the anti-blogging, journalism-is-exalted forces that insist that professionals always get paid: Jules Feiffer wrote and drew the weekly strips collected here, his iconic work for The Village Voice, the works that made his name and brought him fame and contracts, for seven long years without being paid a cent. Eventually, the Voice had to start paying him, yes. But, still: seven years of free content. Think about that. Explainers collects the first eleven years of Feiffer's great strip for the Village Voice -- I generally knew it as just "Feiffer," but it was originally "Sick Sick Sick" and had other titles over the course of nearly forty years. Feiffer starts this book almost fully formed -- some of the early strips look like they're drawn by a Kurtzman clone, but that's about all that's not pure Feiffer -- with his trademark wordy, witty strips, mostly with two people talking around some relationship or other. (The rest have one person, talking nakedly to the reader.) And those words are cutting, from the very first page. Whether he's writing about mothers and sons, lovers, politics, or the work rat-race, Feiffer's characters talk about precisely the things that no one really talks about, in the words we either wish we could say or the words that we would never want to say, because they're too true. This is a great, monumental book, some of the best cartooning of the 20th century by one of its masters, and I hope that Fantagraphics will continue and collect the rest of Feiffer's Village Voice strips.
  • Ian Fleming, Doctor No (8/12)
  • Ian Fleming, Goldfinger (8/14)
  • Kazu Kibuishi, editor, Flight Volume Six (8/16)
    Reviewed in my column in the December issue of Realms of Fantasy -- look for it at the end of October.
  • Patricia Briggs, et. al., Mercy Thompson: Homecoming (8/17)
    Reviewed in my column in the December issue of Realms of Fantasy -- look for it at the end of October.
  • Ian Fleming, For Your Eyes Only (8/18)
  • Ian Fleming, Thunderball (8/20)
  • Ian Fleming, The Spy Who Loved Me (8/21)
  • Bryan Lee O'Malley, Scott Pilgrim & the Infinite Sadness (8/23)
    It's the third in the series, and all of the hip folks read it in 2006, when it was published. O'Malley includes a chart of the characters' relationships in the backmatter, which is helpful even for someone like me who read the second book last month. Our hero, young Toronto slacker Pilgrim, is trying to succeed with his band, Sex Bob-omb, and to stay together with his new girlfriend, Ramona Flowers. But he must first defeat her seven evil ex-boyfriends, and this book sees #3, Todd Ingram, show up. Even worse, Ingram not only has vegan superpowers, he's both dating and in a very successful band with one of Pilgrim's exes, Envy Adams, who hijacked his first band, broke his heart, and became the girl he could never forget. It's just as distinctive a mix of 8-bit video gaming and slacker culture as the first two books, and that mix still works much much better that it has any right to.
  • Darwyn Cooke, Richard Stark's Parker: The Hunter (8/25)
  • Ian Fleming, On Her Majesty's Secret Service (8/25)
  • Charles M. Schulz, The Complete Peanuts, 1971-1972 (8/25)
    One of the things that kept Peanuts vital for so long -- and this book collects strips from a full twenty-two years into the series, and it's still excellent work -- is that Schulz built himself a large cast, and never stopped adding characters. Sure, eventually his ideas for what would work faltered -- Rerun Van Pelt, who would become just a smaller Linus, and then a vaguely different Linus exactly the same size, is born in this book, and he's probably the beginning of that trend -- but Woodstock and Peppermint Patty, both great characters, are still pretty new at this point, and the even newer Marcie is coming into her own as well. As long as Schulz kept creating new characters and situations -- these years also see two of the great camp sequences -- Peanuts was the vital beating heart of the American comics page. This series hasn't yet hit the first strips that I would have seen in the paper directly -- I was born in 1969, and started reading around Christmas of 1971 -- but I expect those will come in another book or two. And, for those around my age, the strips of this era are immediately familiar from the stacks of Peanuts reprint volumes of the '70s and '80s -- I can still see the display unit they had in my library then. Eventually, Peanuts started to hollow out, and wasn't as consistently strong as it was before. But, even in 1971 and '72, it was still a strip about loneliness and depression as often as not, with even Snoopy's Joe Cool reduced to hanging around the Student Union on a fall Sunday afternoon.
  • Brendan Burford, editor, Syncopated (8/26)
  • Ian Fleming, You Only Live Twice (8/27)
  • Ian Fleming, The Man With the Golden Gun (8/28)
  • Raina Telgemeier, Dave Roman, and Anzu, X-Men: Misfits, Vol. 1 (8/31)
  • Ian Fleming, Octopussy and The Living Daylights (8/31)
And that's the end of the month. I expect to read more next time out, now that I'm done with Bond, but I often expect things that don't happen.