"The legal definition of torture has been much aired in recent years, and I take "Mamma Mia!" to be a useful contribution to that debate. In a way, the whole film is a startling twist on the black art of rendition: ordinary citizens, often unaware of their own guilt, are spirited off to a secure environment in Eastern Europe, there to be forced into a humiliating and often painful confession of sins past. "I tried to reach for you, but you have closed your mind," in the bitter words of Sam. I thought that Pierce Brosnan had been dragged to the edge of endurance by North Korean sadists in his final Bond film, "Die Another Day," but that was a quick tickle with a feather duster compared with the agony of singing Abba's "S.O.S." to Meryl Streep through a kitchen window."
- Anthony Lane, "Euro Visions," p. 78 in the 7/28/08 New Yorker
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