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The movies from foreign countries that make it to the US are typically either very serious dramas or the kind of quirky comedies that are vaguely magic-realist and make Americans think "Oh, those wacky foreigners." Citizen Dog is being marketed in the second category, and it fits reasonably well there. This is a movie with motorcycle helmets raining from the sky, at least one undead cab driver, a mountain of plastic bottles, and two men who swap severed fingers.
Pod (Mahasamut Boonyaruk) is a young man from the sticks who goes to Bangkok in search of his fortune, or the fast life, or something -- to be honest, it seems more that he's just running away from a bland farm life where nothing changes than running to anything in particular. He takes a series of minor jobs -- in a sardine-packing factory, as a security guard, driving a taxi -- and runs into the love of his life, Jin (Saengthong Gate-Uthong), who has her own obsessions.
We follow their story mostly through the narrator -- Pod is onscreen for almost the entire movie, but neither he nor anyone else talks all that much. Actually, at this point I should be more specific -- Citizen Dog is both a comedy and a movie with a romance plot, but it's not a "romantic comedy" in any normal American sense of the phrase. (Jin ignores Pod for most of the movie -- and not in the "I'm ignoring you to make you more interested" sense; she's completely caught up in entirely different things.) For me, that was a big plus.
If you can stand quirky, I'd highly recommend Citizen Dog. (And it never feels quirky for the sense of being quirky; just a world in which weird things happen.) And I haven't even said anything about the chain-smoking, talking teddy bear...
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