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The Black Diamond Detective Agency, though, seems to also be work-for hire: it's copyright by something called "Wonderland Films," and, though Campbell's credited as the author, this graphic novel is based on a presumably unproduced screenplay by someone named C. Gaby Mitchell. And it's a quite cinematic (in a way that Campbell's more impressionistic style doesn't necessarily help) story, about detectives and gangsters in the late 19th century. (I'm also sorry to say that it has a major Talking Killer scene near the end, where a plotter explains everything that's been going on and laughs in the faces of the heroes who want to see justice done.)
So, all in all, it's a bit odd as his follow-up to The Fate of the Artist, his graphic novel from 2006 from the same publisher (First Second) which is possibly his best, most sustained work to date. Black Diamond is a decent graphic novel, though I found the pacing a bit rough in spots, and I couldn't always tell the characters apart (especially ones I'd seen for a couple of panels, but hadn't been properly introduced to). The thriller plot is pretty well handled, but it suffers from the lack of a single central character (though there is one who could have been that focus, if the story had been tinkered with a bit).
It's not a disappointment, precisely, but Campbell is capable of much better, and I hope he'll do something much better next time out. Black Diamond will be of the most interest to Campbell's fans, and to folks who like stories of derring-do and police procedure in the gaslight era.
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